Why am I passionate about this?

I am Eric Cheyfitz, the Ernest I. White Professor of American Studies and Humane Letters at Cornell University, where I am on the faculty of The American Indian and Indigenous Studies Program and its former director. Because of my expertise in federal Indian law, I have been a consultant in certain legal matters involving Native issues. Some of the many books I teach and have written about are on my Shepherd list. My work is sustaining: writing and teaching about Native life and literature is a way of joining a crucial conversation about the survival of the planet through living a socially, politically, and economically balanced life.


I wrote

The Colonial Construction of Indian Country: Native American Literatures & Federal Indian Law

By Eric Cheyfitz,

Book cover of The Colonial Construction of Indian Country: Native American Literatures & Federal Indian Law

What is my book about?

The Colonial Construction of Indian Country mounts a pointed historical critique from 1492 to the present of ongoing colonialism in…

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The books I picked & why

Book cover of Thinking in Indian: A John Mohawk Reader

Eric Cheyfitz Why did I love this book?

This book of essays by the Seneca scholar and activist, John Mohawk, is vital because its title pinpoints what the center of my life and work is: focusing on Indigenous ways of thinking about the world as a vital and necessary alternative way of understanding the world to Western thought, which has brought us to the brink of climate collapse and has failed to solve, indeed has only increased, social and economic inequality.

I value the book, then, because it reminds me of the way to achieve real democracy.

By Jose Barreiro (editor),

Why should I read it?

1 author picked Thinking in Indian as one of their favorite books, and they share why you should read it.

What is this book about?

These essays, produced and published over thirty years, are prescient in the prophetic tradition yet current. They reflect consistent engagement in Native issues and deliver a profoundly indigenous analysis of modern existence. Sovereignty, cultural roots and world view, land and treaty rights, globalization, spiritual formulations and fundamental human wisdom coalesce to provide a genuinely indigenous perspective on current events.


Book cover of Dwellings: A Spiritual History of the Living World

Eric Cheyfitz Why did I love this book?

I am recommending this book of beautifully written essays on the environment by the Chickasaw novelist, poet, and essayist Linda Hogan because it is the best book on the subject I know.

Dwellings focuses on the Indigenous relation to the natural world, one of kinship, a subject at the core of my thinking. “Here is a lesson,” Hogan tells us, “what happens to the people and what happens to the land is the same thing.” This is a lesson the West has not learned; and its ignorance of this lesson or its refusal to learn it has led us to the brink of climate collapse.

Reading Dwellings carefully and thoughtfully is a way I rehearse how to live with, not against the environment.

By Linda Hogan,

Why should I read it?

2 authors picked Dwellings as one of their favorite books, and they share why you should read it.

What is this book about?

Award-winning Chickasaw poet and novelist Linda Hogan's first work of nonfiction explores the author's lifelong love for the living world and all its inhabitants. As an Indian woman, grandmother, and environmentalist, Hogan questions "our responsibilities to the caretaking of the future and to the other species who share our journey." In stories about bats, bees, porcupines, wolves, and caves, Hogan honors the spirit of all living things.
Dwellings is about the idea and meaning of home. The earth is our universal home, this book tells us. Dwellings teaches us about cultures whose understanding of the world are often at odds…


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Book cover of The Model Spy: Based on the True Story of Toto Koopman’s World War II Ventures

The Model Spy By Maryka Biaggio,

The Model Spy is based on the true story of Toto Koopman, who spied for the Allies and Italian Resistance during World War II.

Largely unknown today, Toto was arguably the first woman to spy for the British Intelligence Service. Operating in the hotbed of Mussolini's Italy, she courted danger…

Book cover of Fort Marion Prisoners and the Trauma of Native Education

Eric Cheyfitz Why did I love this book?

I value Fort Marion Prisoners and the Trauma of Native Education by the Cherokee writer Diane Glancy because it is an empathetic history, one that compels me to understand its subjects from their perspective, Plains Indian prisoners taken captive defending their lands from the U.S. invasion and shipped to Fort Marion Prison in St. Augustine, Florida, in 1875. There, the prisoners were subject to a regime of reeducation in order to “kill the Indian and save the man,” as the head of the prison and founder of the Carlisle Indian School Brigadier General Richard Henry Pratt stated it.

This regime subsequently became the model for the Indian boarding schools. But Glancy brings home that this model of “dislocation” is “at the heart of [all] education,” such as mine:  a Jewish boy educated in an Episcopalian school where the curriculum without a thought erased my own culture.

By Diane Glancy,

Why should I read it?

1 author picked Fort Marion Prisoners and the Trauma of Native Education as one of their favorite books, and they share why you should read it.

What is this book about?

At the end of the Southern Plains Indian wars in 1875, the War Department shipped seventy-two Kiowa, Cheyenne, Arapaho, Comanche, and Caddo prisoners from Fort Sill, Oklahoma, to Fort Marion in St. Augustine, Florida. These most resistant Native people, referred to as "trouble causers," arrived to curious, boisterous crowds eager to see the Indian warriors they knew only from imagination. Fort Marion Prisoners and the Trauma of Native Education is an evocative work of creative nonfiction, weaving together history, oral traditions, and personal experience to tell the story of these Indian prisoners.

Resurrecting the voices and experiences of the prisoners…


Book cover of The Round House

Eric Cheyfitz Why did I love this book?

The Round House by Anishinaabe novelist Louise Erdrich, which won the National Book Award in 2012, makes it clear why federal Indian law cannot deliver justice to Indian country.

It does this skillfully by constructing a plot in which rape of and murder by a white man of Native women on an Ojibway reservation impacts the lives of a tribal judge, his wife (the victim of the rape), and their 13yr. old son, who narrates the story as an adult who has become a tribal judge himself.

I value this book because it is both didactic (it teaches one about federal Indian law) and dynamic (Erdrich knows how to tell a compelling story). As such it is at the heart of the thesis of my own book: the formative interaction between Native literatures and federal Indian law.

By Louise Erdrich,

Why should I read it?

6 authors picked The Round House as one of their favorite books, and they share why you should read it.

What is this book about?

Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book

From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…


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Book cover of The Nightmarchers

The Nightmarchers By J. Lincoln Fenn,

In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.

Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…

Book cover of From Sand Creek

Eric Cheyfitz Why did I love this book?

From Sand Creek by Acoma Pueblo citizen Simon Oritz is one of my favorite books because in a little over 90 pages of poetry constructed in concise, elliptical form it captures the history of America that is largely erased from official narratives: the history of foundational American violence at home and abroad. Perhaps this narrative is becoming more visible now, particularly with the rise of films about this largely marginalized history. At its roots, this is the history of Native American genocide, epitomized by the massacre of peaceful Southern Cheyenne and Arapaho Natives by the Colorado Volunteers at Sand Creek in 1864.

By Simon J. Ortiz,

Why should I read it?

1 author picked From Sand Creek as one of their favorite books, and they share why you should read it.

What is this book about?


The massacre of Cheyenne and Arapaho women and children by U.S. soldiers at Sand Creek in 1864 was a shameful episode in American history, and its battlefield was proposed as a National Historic Site in 1998 to pay homage to those innocent victims. Poet Simon Ortiz had honored those people seventeen years earlier in his own way. That book, from Sand Creek, is now back in print.

Originally published in a small-press edition, from Sand Creek makes a large statement about injustices done to Native peoples in the name of Manifest Destiny. It also makes poignant reference to the spread…


Explore my book 😀

The Colonial Construction of Indian Country: Native American Literatures & Federal Indian Law

By Eric Cheyfitz,

Book cover of The Colonial Construction of Indian Country: Native American Literatures & Federal Indian Law

What is my book about?

The Colonial Construction of Indian Country mounts a pointed historical critique from 1492 to the present of ongoing colonialism in Indian country (the over 340 reservations in the lower forty-eight states). The book achieves this critique through careful analysis of the dialogue between Native American literatures and federal Indian law, illuminating how these literatures (fiction, poetry, and non-fiction) indict the colonialism that governs Indian country in the United States under the legal rubric of “domestic dependent nations.” The Colonial Construction of Indian Country argues that if decolonization is to be achieved, then this rubric must be erased and replaced with independent Native nation sovereignty. Thus, it illuminates a situation of which almost no Americans are aware, and which Native Americans are resisting in words and deeds.

Book cover of Thinking in Indian: A John Mohawk Reader
Book cover of Dwellings: A Spiritual History of the Living World
Book cover of Fort Marion Prisoners and the Trauma of Native Education

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